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‘Jurassic World Rebirth’ Proves the Franchise Should Continue

‘Jurassic World Rebirth’ Proves the Franchise Should Continue

For a while, I thought my dinosaur days were done. After Dominion (2022) wrapped up with the magnificent creatures roaming the world, many expected that to be the end, with the film closing on a wild yet fulfilling note. However, come July 2, 2025, Jurassic World Rebirth has stormed into theaters and roared fans back to attention. Directed by Rogue One and Godzilla filmmaker Gareth Edwards and written by David Koepp, this standalone sequel shakes things up by returning to the primal thrills of Jurassic Park while adding a bold, sci-fi twist. The story feels fresh and self-contained. It follows a covert team journeying to a forbidden island to gather life-saving dinosaur DNA, only to unearth experiments that defy everything humans thought they knew.

With mutant dinosaurs, a pharmaceutical plotline, and a tight cast that balances humor and grit, Jurassic World Rebirth delivers a unique spin on familiar territory. Its arrival fills the four-year void since Dominion, and rather than just tying back, the latest installment reinvigorates. Rebirth strips away the overblown global scale and diluted emotional stakes, refocusing on suspense, mystery, and sheer spectacle. The film is the perfect shakeup that made me realize I wasn’t done with the dinosaurs after all.

‘Jurassic World Rebirth’ Brought Back the Thrill of Dinos Without the Drama

Universal Pictures

The Jurassic World films took dinosaurs everywhere, from city streets to global cataclysms. After all that spectacle, the charm had started to wear off. The effects were still undoubtedly cool, but the stakes had gone numb, the characters were forgettable, and the primal fear viewers experienced in the original Jurassic Park had faded. However, Jurassic World Rebirth has reclaimed that edge.

The latest installment confines the action to a remote island, creating a setting that sharpens the tension. Edwards and Koepp dial back the convoluted science and corporate double-crosses, instead serving up humans versus ancient predators in close quarters. This stripped-down approach makes every roar and chase truly count, leaving viewers leaning in to wonder “who’s next?” instead of scanning for plot holes.

Rebirth also introduces mutant dinosaurs such as the terrifying Distortus rex and the hybrid Mutadons. These creatures symbolize utter chaos, feeling fresher and more dangerous in ways that Velociraptors no longer do. They are also a reminder of why viewers fell in love with the franchise in the first place: dinosaurs defying expectations. Moreover, the cast doesn’t overwhelm the narrative. Scarlett Johansson’s Zora anchors the story with grit and humor, and Mahershala Ali’s Kincaid brings moral weight, especially given that his originally intended death was ultimately reversed to provide the film with a more hopeful tone. With its fewer one-note villains and more grounded stakes, Rebirth makes a conscious pivot from previous entries, putting the dinosaurs and tension back in charge.

‘Rebirth’ Is a Standalone Story That Feels Fresh

Scarlett Johansson and Jonathan Bailey retrieving a dinosaur egg sample in Jurassic World Rebirth

Universal Pictures

After Dominion‘s sprawling narrative, which was a web of politics and global chaos, Rebirth feels like a breath of fresh tropical air. By declaring itself a standalone sequel, it provides newcomers and longtime fans with something to latch onto without requiring exhaustive backstories.

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Going beyond the ‘dinosaurs-have-escaped’ trope, Rebirth explores a pharmaceutical mission to extract DNA for a potential cure for heart disease, delving into the complexities of bioethics and human survival. The storyline delivers weight and urgency while still preserving the element of hubris that is a constant in many of the Jurassic films.

The island setting of Jurassic World Rebirth also becomes a character in its own right. The abandoned labs, subterranean ruins, and shadowy jungles do feel familiar, but just different enough to be exciting again. As mutant dinosaurs roam unexplored areas, the Jurassic Park callbacks in the film feel like actual Easter eggs, rather than a tired rehash of the already tried and tested. Additionally, the payoffs in Rebirth are satisfying and self-contained, delivering a narrative where the conclusion of the mission feels truly complete. The emotional payoffs, too, such as Kincaid’s survival and Zora’s growth to want something more than money, land organically. This lack of cliffhangers and franchise hooks is perhaps a reason why audiences feel invested again.

‘Rebirth’ Reignites the Hype After a Long Wait

Titanosaurus in Jurassic World: Rebirth

Universal Pictures

It has been three years since Dominion made its way onto screens in 2022, and the buzz around the franchise has understandably cooled. With the conclusive ending of the previous installment, fans didn’t have much to look forward to. However, Rebirth‘s arrival feels almost intentional, as if the team waited for the heat to go down before returning to basics.

The combination of Gareth Edwards and David Koepp brings together top-tier talent from different eras. While Edwards brings blockbuster scope, Koepp taps into the original’s DNA. This combo alone sparked intrigue, leaving viewers wondering if this could revive the franchise’s credibility. Furthermore, the film’s marketing leaned heavily on nostalgia. Trailers featured classic sounds, and promo material treated Rebirth like a spiritual sibling of Spielberg’s original. Before its release, the tone of the film was one that silently whispered “remember why you loved this,” not one that extravagantly screamed “blockbuster blitz.”

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The timing of the film’s release was also savvy. The July 2 release date gave Rebirth the breathing room it needed to stand on its own. Opening day hauled in $30.5 million, ending the weekend with $318.3 million at the box office. The three-year gap provided enough space, and Rebirth has successfully filled it with storytelling that respects both legacy and reinvention, proving that the concept still works and the hype can be rekindled.

Admittedly, the reviews for Jurassic World: Rebirth remain mixed, and it is perhaps not a perfect film. Arguments have been made that it leans on genre tropes and does not go far enough in subverting them. Yet, Rebirth‘s energy, dinosaur-centric thrills, and emotional undercurrents are enough to pull a viewer back into the park, headfirst and with joy. Jurassic World: Rebirth is now playing in theaters.


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