MovieWeb sits down with Myron Kerstein, the editor behind ‘Wicked: For Good,’ to break down how the film’s most powerful musical moments were shaped in the edit.
Kerstein talks about cutting both Wicked films simultaneously, why musical numbers shouldn’t feel like music videos, and how emotion — not spectacle — guided his biggest choices. He also explains the bold decision to cut off Elphaba’s final note, how silence and invisible edits were used to heighten intimacy, and why the entire two-film journey ultimately builds to “For Good.”
We also dive into how audience reactions to Wicked influenced changes in the sequel, how live vocals recorded on set allowed for seamless transitions, and why the second film leans into a darker, slower-burn tone.
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